SACOSPER
Michelangelo’s The Creation of Adam (Illustration copy)

Every story begins somewhere—but few beginnings are as haunting, or as misunderstood, as that of Adam and Eve. Theirs was the dawn of humanity, a story not only of paradise lost but of love, choice, and consequence. Yet beyond the familiar verses of Genesis lie other accounts—ancient, apocryphal, and deeply human that expand what we think we know.

My novel Cain was born from those ancient echoes. Within apocryphal writings like The Book of Jubilees and The Book of Enoch, and certainly, The Books of Adam and Eve, the story of the first family becomes far more intricate: angels known as Watchers walk among men, guiding and observing; Adam’s children build communities, forge laws, and struggle to understand a God who now speaks through a still small voice. In this world, Cain’s rebellion is not sudden—it grows from longing, doubt, and a forbidden love that challenges both law and heaven.

What if the story of Cain and Abel is more than a tale of jealousy and wrath? What if it’s the first exploration of human freedom the aching space between obedience and desire? Through the lens of apocryphal fiction, Cain breathes life into the world of Adam and Eve, revealing the hidden history of their descendants their triumphs, their faith, and their devastating choices.

In Cain, the world of Genesis is reimagined not as a distant myth, but as a living landscape where divine purpose and human emotion collide. It’s a story of love forbidden, of faith tested, and of rebellion that reshapes eternity.

Because before there were nations or kings, there was a man who tilled the soil, a brother who tended sheep, and a choice that would change the course of all mankind.

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