
When we read Genesis, we often picture beginnings—light breaking through darkness, humans drawn from dust, and women born of a rib. But beneath those luminous first lines lies another story: a family story. One not merely of creation, but of connection, conflict, and consequence.
The world of Adam and Eve was not empty—it was growing, alive, and burdened with the tender confusion of the first human family. Children born into a paradise just beyond their reach, each one learning what it meant to work, to worship, to love, and to obey. And like every family that followed, theirs was marked by rivalry, misunderstanding, and the desperate desire to be seen.
My novel Cain steps into that hidden space between scripture and silence—the place where hearts beat, choices fracture, and divine purpose meets human will. What did it mean to grow up as Adam’s son? To hear stories of the Garden you could never enter? To know a God who spoke to your father, but not to you?
The apocryphal and early Jewish writings suggest that the struggles of Adam’s family were far deeper than simple obedience or rebellion. They reveal human dynamics as ancient as time: jealousy between brothers, unspoken love between kin, the weight of expectation, and the longing for divine favor. Cain and Abel’s story is not only about the first sin of violence—it’s about the aching need for approval, the fear of rejection, and the dangerous power of love when it becomes possessive.
In exploring these early family dynamics, I found myself returning to a single, haunting thought: Before kingdoms and covenants, there was a family—and all of humanity’s struggles began at their table.
Cain is not a retelling meant to challenge scripture, but an invitation to enter the silences of Genesis—to imagine what might have been said, felt, or feared when heaven grew quiet, and men were left to wrestle with their own hearts.
Because hidden within the Genesis story is not just the tale of creation—it is the first story of us all.
Shelia Cosper is a writer of historical and biblical fiction exploring the meeting place of faith and humanity. Her work draws from apocryphal manuscripts and ancient commentary, uncovering the emotional and spiritual depths within the world’s oldest stories.